本帖最后由 dan3963101 于 2012-5-20 00:12 编辑
英文电子说明书
POWER Switches the unit on or off. The unit is ready to operate with the factory
default settings. The subsequent settings remain stored in a Flash EPROM
after switching the unit off (unit contains no battery).
Input dBu FS Rotary switch for coarse input sensitivity setting in 10 dB steps. OFF position
between microphone and line sensitivity setting ranges.
Mic: Range –40...+20 dBu
Line: Range +14 dBu, +24 dBu
Fine Gain Potentiometer for fine input sensitivity setting.
Range of additional gain: 0...+15 dB.
Headroom: The input sensitivity setting is calibrated in dBu per full-scale. It represents
the dBu value of an analog input signal which causes a full-scale output of
the A/D converter.
Example: A studio works with +4 dBu nominal analog level and uses 12 dB headroom;
the peak level is therefore +16 dBu. The “Input dBu FS” rotary
switch is set to +24 dBu (i.e. gain setting short by 8 dB), and the “Fine
Gain” potentiometer increases the gain by 8 dB.
... Valve Dignifier Operative only if the function VALVE is active.
Bass Warmth The sound of low frequencies becomes rounder; bass has more depth; vocals
have more body; percussive instruments are less aggressive.
The group delay behaviour due to AC coupling of the stages is different in
tube amplifiers.
The “Bass Warmth” control allows to select the frequency range
(10...200 Hz) within which the effect is active.
Angel Zoom Adds transparency and clarity to vocals; emphasizes the solo instruments.
Valve amps have a characteristic response, mid-frequency harmonic content
is emphasized.
Valve Drive Gain/Clip Tight, full sound; the sound will be harder/softer.
The harmonics spectrum of a delicately overloaded valve amplifier is completely
different from an overloaded transistor stage.
The “Gain” control adjusts a gentle overload while the odd-harmonics content
can be adjusted with the “Clip” control.
Line Out Output level setting, calibrated in dBu per full scale (dBu FS). Range: 4...24
dBu FS.
VALVE Toggle key for inserting the Valve Dignifier stage into the audio path of the
desired channel.
The “VALVE” LED is on when the Valve Dignifier stage is active.
INSERT INSERT function.
First key pressure: INSERT POST VALVE, the Insert Send is tapped after
the valve stage (display: “INS”); the Insert Return is directly fed to the Line
and AES/EBU outputs.
Second key pressure: INSERT PRE VALVE, the Insert Send is tapped before
the valve stage (display: “INS” and “PRE”); the Insert Return is fed via
the valve dignifier stage to the Line and AES/EBU outputs.
Third pressure: INSERT OFF, the input signal is fed via the valve dignifier
stage (if active) to the Line and AES/EBU outputs (also the Insert Send output
receives this signal; display: none).
Insert Send and Insert Return are electronically balanced and equipped with
XLR connectors.
ROUTING Selector for the channel routing when using one of the (optional) TDIF or
ADAT digital interfaces. Each input channel can be switched to one of the
channels 1...8 of the multichannel interface. If desired, also a mono mix is
possible by selecting the same output channel for both input channels.
48 V Toggle key to activate the 48 V phantom power supply for the desired microphone
channel.
Can be operated only if the input gain selector is in Mic position. The
setting remains stored when switching over to a line gain setting.
Activates the high pass filter on the microphone inputs of the desired channel.
Cut-off frequency (–3 dB point) 75 Hz, slope 12 dB/octave.
Can be operated only if the input gain selector is in Mic position. The
setting remains stored when switching over to a line gain setting.
Ø Toggle key to activate the phase reverse switch of the desired channel.
MODE Toggle key to select the word length of the DIGITAL OUTput. 20 bit (display:
“20BIT”), 16 bit with dithering (display: “16DI”), or 16 bit with
Noise Shaping (display: “16NS”) can be selected.
SYNC Selects the synchronization source for the unit. Possible selections are:
INT 48 Internal quartz reference, 48 kHz
INT 44 Internal quartz reference, 44.1 kHz
WCLK Selects external Word Clock Sync (flashes if no valid input signal is recognized)
AES Selects external AES/EBU Sync (flashes if no valid input signal is recognized)
AUTO Selects sources automatically in the sequence AES-WCLK-INT
VAR Indication only, active if the external source frequency deviates from 48 or
44.1 kHz for more than approx. ±3 %.
PEAK HOLD Toggle key to select the PEAK HOLD function for the PPM level meters –
either permanently (display: “HOLD”), or with automatic reset after approx.2 s.
SOFT CLIP Toggle key to activate the SOFT CLIP function in the analog paths to reduce
the danger of overloading the A/D converter with short signal peaks (if
active, the display indicates “SOFT”). Threshold at 3 dB below full-scale,
allowing for approx. 6 dB reserve before hard clipping occurs
dan3963101 发表于 2012-5-20 00:04 static/image/common/back.gif
英文电子说明书
POWER Switches the unit on or off. The unit is ready to opera ...
这前级功能不少啊{:4_240:}
已开声，对比STUDER A779调音台，声音更宽松、清晰度更好。按MODE键分别点亮16ＤＩ、16ＮＳ、20ＢＩＴ这几个灯，都有声音出来。
卢老师方便时帮我大概翻译一下上面的英文说明书，谢谢{:4_226:}
MODE Toggle key to select the word length of the DIGITAL OUTput. 20 bit (display: “20BIT”), 16 bit with dithering (display: “16DI”), or 16 bit withNoise Shaping (display: “16NS”) can be selected.
本帖最后由 dan3963101 于 2012-5-20 00:12 编辑
英文电子说明书
POWER Switches the unit on or off. The unit is ready to operate with the factory
default settings. The subsequent settings remain stored in a Flash EPROM
after switching the unit off (unit contains no battery).
Input dBu FS Rotary switch for coarse input sensitivity setting in 10 dB steps. OFF position
between microphone and line sensitivity setting ranges.
Mic: Range –40...+20 dBu
Line: Range +14 dBu, +24 dBu
Fine Gain Potentiometer for fine input sensitivity setting.
Range of additional gain: 0...+15 dB.
Headroom: The input sensitivity setting is calibrated in dBu per full-scale. It represents
the dBu value of an analog input signal which causes a full-scale output of
the A/D converter.
Example: A studio works with +4 dBu nominal analog level and uses 12 dB headroom;
the peak level is therefore +16 dBu. The “Input dBu FS” rotary
switch is set to +24 dBu (i.e. gain setting short by 8 dB), and the “Fine
Gain” potentiometer increases the gain by 8 dB.
... Valve Dignifier Operative only if the function VALVE is active.
Bass Warmth The sound of low frequencies becomes rounder; bass has more depth; vocals
have more body; percussive instruments are less aggressive.
The group delay behaviour due to AC coupling of the stages is different in
tube amplifiers.
The “Bass Warmth” control allows to select the frequency range
(10...200 Hz) within which the effect is active.
Angel Zoom Adds transparency and clarity to vocals; emphasizes the solo instruments.
Valve amps have a characteristic response, mid-frequency harmonic content
is emphasized.
Valve Drive Gain/Clip Tight, full sound; the sound will be harder/softer.
The harmonics spectrum of a delicately overloaded valve amplifier is completely
different from an overloaded transistor stage.
The “Gain” control adjusts a gentle overload while the odd-harmonics content
can be adjusted with the “Clip” control.
Line Out Output level setting, calibrated in dBu per full scale (dBu FS). Range: 4...24
dBu FS.
VALVE Toggle key for inserting the Valve Dignifier stage into the audio path of the
desired channel.
The “VALVE” LED is on when the Valve Dignifier stage is active.
INSERT INSERT function.
First key pressure: INSERT POST VALVE, the Insert Send is tapped after
the valve stage (display: “INS”); the Insert Return is directly fed to the Line
and AES/EBU outputs.
Second key pressure: INSERT PRE VALVE, the Insert Send is tapped before
the valve stage (display: “INS” and “PRE”); the Insert Return is fed via
the valve dignifier stage to the Line and AES/EBU outputs.
Third pressure: INSERT OFF, the input signal is fed via the valve dignifier
stage (if active) to the Line and AES/EBU outputs (also the Insert Send output
receives this signal; display: none).
Insert Send and Insert Return are electronically balanced and equipped with
XLR connectors.
ROUTING Selector for the channel routing when using one of the (optional) TDIF or
ADAT digital interfaces. Each input channel can be switched to one of the
channels 1...8 of the multichannel interface. If desired, also a mono mix is
possible by selecting the same output channel for both input channels.
48 V Toggle key to activate the 48 V phantom power supply for the desired microphone
channel.
Can be operated only if the input gain selector is in Mic position. The
setting remains stored when switching over to a line gain setting.
Activates the high pass filter on the microphone inputs of the desired channel.
Cut-off frequency (–3 dB point) 75 Hz, slope 12 dB/octave.
Can be operated only if the input gain selector is in Mic position. The
setting remains stored when switching over to a line gain setting.
Ø Toggle key to activate the phase reverse switch of the desired channel.
MODE Toggle key to select the word length of the DIGITAL OUTput. 20 bit (display:
“20BIT”), 16 bit with dithering (display: “16DI”), or 16 bit with
Noise Shaping (display: “16NS”) can be selected.
SYNC Selects the synchronization source for the unit. Possible selections are:
INT 48 Internal quartz reference, 48 kHz
INT 44 Internal quartz reference, 44.1 kHz
WCLK Selects external Word Clock Sync (flashes if no valid input signal is recognized)
AES Selects external AES/EBU Sync (flashes if no valid input signal is recognized)
AUTO Selects sources automatically in the sequence AES-WCLK-INT
VAR Indication only, active if the external source frequency deviates from 48 or
44.1 kHz for more than approx. ±3 %.
PEAK HOLD Toggle key to select the PEAK HOLD function for the PPM level meters –
either permanently (display: “HOLD”), or with automatic reset after approx.2 s.
SOFT CLIP Toggle key to activate the SOFT CLIP function in the analog paths to reduce
the danger of overloading the A/D converter with short signal peaks (if
active, the display indicates “SOFT”). Threshold at 3 dB below full-scale,
allowing for approx. 6 dB reserve before hard clipping occurs
好的
dan3963101 发表于 2012-5-21 23:23 static/image/common/back.gif
本帖最后由 dan3963101 于 2012-5-20 00:12 编辑
SYNC Selects the synchronization source for the unit. Possible selections are:
* F. q% m$ g3 W/ } INT 48 Internal quartz reference, 48 kHz
1 v* e8 b( c( Q INT 44 Internal quartz reference, 44.1 kHz# Y. C: L# k& _1 `" @7 ^" B4 Ot
WCLK Selects external Word Clock Sync (flashes if no valid input signal is recognized)/ V7 d! M8 w5 Z4 s
AES Selects external AES/EBU Sync (flashes if no valid input signal is recognized)e! {0 @( K& c! x, rV0 ~
AUTO Selects sources automatically in the sequence AES-WCLK-INT
8 u9 \7 v8 w} VAR Indication only, active if the external source frequency deviates from 48 or
4 }: u: r3 F; w9 l; \ 44.1 kHz for more than approx. ±3 %.这是一个外接时钟同步功能,如果外时钟精确度高,用了这功能后对声音改善较好．
木又 发表于 2012-5-23 08:28 static/image/common/back.gif
SYNC Selects the synchronization source for the unit. Possible selecti ...
{:4_226:}{:4_226:}
POWER 电源开关打开或关闭的单位。单位是准备与工厂
默认设置。随后的设置仍然存储在Flash EPROM
关闭电源后（单元不包含电池）。
Input dBu FS 输入DBU FS粗输入灵敏度设置旋转开关在10分贝步骤。 OFF位置
麦克风和线路的感光度设置范围之间。
麦克风：-40 ... +20 dBu的
专线：+24 dBu的范围+14 dBu的
Fine Gain 细输入灵敏度设置精细的增益电位器。
额外的增益范围：0 ... +15 dB的。
净空：输入灵敏度设置在DBU每满刻度校准。它代表
模拟输入信号的的DBU值，导致全量程输出
A / D转换。
例如：工作室与模拟电平+4 dBu的标称使用12 dB的余量;
高峰期的水平，因此，+16 dBu的。 “输入DBU财政司司长”旋转
切换设定至+24 dBu（即增益设置了8分贝），“微调
增益“电位器增加了8分贝的增益。
... Valve Dignifier 的阀门Dignifier手术只有功能阀是积极的。
Bass Warmth 低音温暖的低频率的声音成为多面手;低音有更深入的主唱
有更多的身体;打击乐器侵略。
由于AC耦合阶段的群延迟行为是不同的
电子管放大器。
“低音温暖”的控制，允许选择的频率范围
（10 ... 200赫兹）在其中的作用是积极的。
Angel Zoom 天使变焦增加透明度和人声的清晰度;强调独奏乐器。
阀放大器有一个特点响应，中频谐波含量
强调。
Valve Drive Gain/Clip 阀门驱动增益/剪贴紧，声音饱满的声音将变得更加困难/软。
一个微妙的重载阀放大器的谐波频谱是完全
从一个超载的晶体管级的不同。
“增益”控制调整温和的过载，而奇次谐波含量
可以调整的“剪辑”控制。
Line Out 线路输出输出电平设置，每满刻度校准DBU（DBU FS）。范围：4 ... 24
DBU财政司司长。
VALVE 阀切换键插入的音频路径阀门Dignifier阶段
所需的通道。
“阀门”LED是当阀门Dignifier阶段是积极的。
INSERT 插入插入功能。
第一个关键压力插入发表阀，插入发送被窃听后
阀门阶段（显示：“移民局”）;插入回传直接送入线路
和AES / EBU输出。
第二个关键的压力：插入前阀，插入发送被窃听前
插入回报是美联储通过阀门阶段（显示：“惯性”和“前”）;
线和AES / EBU输出阀dignifier阶段。
第三压力：插入关，通过输入信号送入阀门dignifier
阶段（如活跃）线和AES / EBU输出（也插入发送输出
收到这个信号显示：无）。
插入发送和插入返回电子平衡和配备
XLR连接器。
ROUTING 路由选择或路由通道时使用（可选）TDIF
ADAT数字接口。每个输入通道可以切换到一个
通道1 ... 8多声道接口。如果需要，也有单组合
有可能通过两个输入通道选择相同的输出通道。
48 V 的切换键来激活麦克风所需的48 V幻象电源
通道。
只有当输入增益选择麦克风的位置是可以操作。 “
切换到线路增益设置时设置仍然保存。
激活所需的通道麦克风输入的高通滤波器。
截止频率（-3dB点）75赫兹，12分贝/倍频程斜率。
只有当输入增益选择麦克风的位置是可以操作。 “
切换到线路增益设置时设置仍然保存。
Ø 切换键激活所需通道的相位反转开关。
MODE 模式切换键选择数字输出字长。 20位（显示：
“20BIT”），16位与抖动（显示：“16DI”），或16位
噪声整形（显示：“为16ns），可以选择。
SYNC 选择同步源为单位。可能的选择是：
INT的48石英内部参考，48千赫
为INT 44石英内部参考，44.1千赫
WCLK选择外部字时钟同步（闪烁，如果没有有效的输入信号被确认）
AES公司选择外部的AES / EBU同步（闪烁，如果没有有效的输入信号确认）
自动选择源自动序列中的AES-WCLK诠释
只有VAR的指示，积极的，如果外部源的频率偏离48或
比约44.1千赫。 ±3％。
PEAK HOLD 拨动键选择PPM米的峰值保持功能 -
无论是永久（显示：“HOLD”字样），或约后自动复位。 2秒。
SOFT CLIP 软夹切换键激活软CLIP功能，在模拟路径，以减少
（如果超载短信号峰A / D转换的危险
活跃，显示屏显示“软”）。阈值低于满刻度的3分贝，
允许约。 6分贝储备硬剪裁发生前
本帖最后由 dan3963101 于 2012-5-23 15:17 编辑
PEAK HOLD 拨动键选择PPM米的峰值保持功能 - 无论是永久（显示：“HOLD”字样），或约后自动复位。 2秒。
soft clip 软夹切换键激活软CLIP功能，在模拟路径，以减少（如果超载短信号峰A / D转换的危险活跃，显示屏显示 “软”）。阈值低于满刻度的3分贝，允许约。 6分贝储备硬剪裁发生前
请教：按上面16、17这两个键显示屏分别会显示：“HOLD” “soft”字样,是否表示点亮这两指示灯就会保持信号不会过载。
& 切换键激活所需通道的相位反转开关这是按键什么意思？
fine gain 、 valve drive gain这两个旋钮大概是增益电位器的意思？
VALVE 阀切换键插入的音频路径阀门Dignifier阶段所需的通道。 “阀门”LED是当阀门Dignifier阶段是积极的。这个按键点亮后马上感觉声音活生感好了，是否这时的信号经过电子管电路？
Bass Warmth 、Angel Zoom、Valve Drive Clip这3个旋钮转动时感觉声音变化不大，是麦克风用的？
功能已基本明了个大概了，谢谢卢老师和上面的兄弟{:4_226:}
这东东的声音和STUDER A779调音台比较，主要在声音的细节、透明度、乐感方面有改善，
但用它，前级或后级必须要有音量调整。
哈哈，这个人翻译真搞笑。。。我现在在外地忙着呢
4支电子管有两支估计老化了，灯丝不是很亮，和另两个比，管帽顶发黑，另两支是不同牌子的，不知道对音质影响有几大？
一定很大，不是一般的大，明天上班抽空给您翻译一下
想买ECC81胆管,不知这些价格如何?
六十年代mullard/ECC81/12AT7黃字大盾配對600一對
全新 西德 德律風根 Telefunken ECC801S 白金配對裝 (共2支),同年期、同出廠編號經AMPLITREX AT1000測試數據:-10.2mA/10.1mAand10.5mA/10.0mA(((完美配對!!!))) .2000元/对
Brimar 灰屏 12AT7 /ECC81 ,900 元/对
全新philips/RTC紅銅柱大雙撐圓環12AT7/ECC81一對,全新跟盒只試點,450元
全新 狀態 配對 MULLARD CV4024/12AT7/ECC81, 極早期 皺玻璃(Wrinkle glass) 方環, 1500/对
Amperex 荷蘭製 Bugle Boy 極早期 D型鐵片環, 接近全新狀態. 1300/对
Marconi ECC81, 大圓環,打上B309的精品. 全新狀態. 1500/对
{:4_226:}
同好,上图顶一下...
vf10tb 发表于 2012-6-1 21:00 static/image/common/back.gif
同好,上图顶一下...
兄台的收音+解码真好{:4_339:},能收到香港四台,就{:4_223:}